Katie Budris
  • Home
  • Bio
    • Meet Katie
    • Photos
  • Writer
    • Curriculum Vitae
    • Teaching Philosophy
    • Poetry
    • News
    • Glassworks Magazine
  • Dancer
    • Dance Resume
    • Dance Photos/Videos
    • The Lady Hoofers
  • Survivor
    • My Diagnosis
    • Blog
  • Connect

News

Glassworks Reading Series

10/20/2015

0 Comments

 
I'm so excited to host the first ever reading series for Glassworks Magazine, a publication of Rowan University's Master of Arts in Writing program.

Our first event is being held on Wednesday, October 21st at 8pm in Philadelphia. Thanks to Tattooed Mom for setting up a private room for us! Our featured readers will be Jeff Markovitz and Liz Langemak, both published in Issue 10 of Glassworks. Food and drinks will be available for purchase, as well as copies of recent issues for $10 each. I'll also have copies of my own chapbook on hand for $10, and the featured readers will be bringing their own books.
Picture
Can't make it to Tattooed Mom? Join us Thursday, October 29th at 6:30 on Rowan's campus. We'll be taking over the upstairs of the Barnes & Noble bookstore in Glassboro, NJ and free coffee and cookies will be available to all who attend. Our student editors will be reading from the new Issue 11 of Glassworks.
Picture
Full details are available on our Facebook page:
http://www.facebook.com/rowanglassworks
Hope to see you there!

0 Comments

Glassworks Magazine - Issue 10

3/1/2015

0 Comments

 
Picture
I am pleased to presemt the 10th issue of Glassworks Magazine, a publication of Rowan University's Master of Arts in Writing program. While this is the fourth issue I have been involved with, and my second as Editor in Chief, it is the first issue which was entirely selected and produced by students and faculty under my guidance. We have received so much positive feedback from the authors and artists over the last year, and I expect this issue will elicit even more. The issue came together in such a beautifully coherent way, I would encourage you to read the entire thing, cover to cover. Enjoy!

Visit our website here: http://rowanglassworks.org

and

View the full issue online here: http://issuu.com/glassworksmagazine
0 Comments

Blog Hop

8/16/2014

1 Comment

 
I was invited by my best and oldest friend Kari Hall, who happens to be a very talented artist, to join a blog hop project. Thank you, Kari! The project consists of answering some questions regarding art and my process, as well as to to highlight three artists I admire. While following this particular chain of the blog hop backwards, I found many stunning encaustic painters (the medium of art that Kari primarily works in). I am thrilled that she chose to branch out to me, a poet, and so I have invited other writers in various genres to carry the blog hop forward from here.

Picture
These are the questions I have been tasked to answer:

1) What am I working on/writing?
I am currently working on my first full-length collection of poetry, which is tentatively titled The Length of Distance. I have enough poems to complete a collection, but am still revising about ten of them, and then need to put the poems in order--which sounds like a really, really daunting task. The poems are quite different in subject matter, but the unifying thread is, as the title suggests, the idea of distance. Some distances explored in the poems are physical--moving away from home, travel, and long distance relationships. Others are emotional--empty or unrequited romantic relationships, the distance that forms between oneself and others after a great loss, and divorce. Not all the relationships in the collection are romantic--there are also family poems and friendships addressed. And the distance that even dwells within oneself, that distance between who you were and who you are becoming, who you are and who you want to be, is also worth consideration. How well the collection works as a cohesive unit remains to be seen, but I am excited to be nearing the stage at which I'll start piecing it together into sections and experimenting with how one poem best leads to the next.

2) How does my work/writing differ from others of its genre?
I found this to be the most difficult of the questions to answer. There is SO much variety in poetry. So in many ways, my poetry is quite like many others. In other ways, quite different. So I guess the best way to answer is to try to describe my style as a poet. I generally write in free verse, meaning I don't use a rhyme scheme or structured pattern. (The exception is my occasional attempt as a sestina, an incredible strict and repetitive form, but I digress.) However, in spite of the lack of pattern, I do like to divide my lines up into stanzas that have some consistency. I often use couplets or tercets. I also write poems with much longer stanzas, or even single stanza poems, but whatever form I end up with it, I try to allow the form to add pause and weight to the words wherever necessary. I tend to write short lines, creating a lot of space for emphasis. Like most poets, my work tends to be personal and relies heavily on metaphor and simile to pack an emotional punch and to make my experience relatable to my readers. I try not to shy away from specific details (names of airports, streets, cities, for example. Or including specific items like a pressed penny from the zoo in relation to an old boyfriend.) I've been told I have a knack for endings, for stopping on that moment that takes your breath away just for a second. That thing that can only be identified as "poemness" - that indefinable quality that makes something a poem and not just words on a page. (What a rambling and unclear answer this is!)

3) Why do I write/work what I do?
Author Lorrie Moore says of how to become a writier: "First, try to be something, anything, else. A movie star/astronaut. A movie star/missionary. A movie star/kindergarten teacher. President of the World. Fail miserably." Many people say one does not choose to be an artist of any kind, it chooses you. I think this is partially true. I have wanted to be a writer since about third grade. It took me several more years to discover I'm a poet, and even more before I made the decision to BE a poet. I tried to be anything else. I was just going to minor in creative writing once I got to college, but before my first college-level poetry class was over (thank you Rhoda Janzen) I'd decided to major in English. After many years of being a sort-of writer, I finally began to embrace it, and after a few more years of studying poetry (thank you Jack Ridl) I made that decision - to go to grad school for an MFA in poetry and see where it would take me. It's been almost 10 years since I finished my MFA and I'm finally digging my heels in and working seriously on publications. (Teaching college can be a veritable distraction from your own writing.) But at the end of the day, I feel more whole when I write poems. It's one of the things in my life (tap dancing is another) that makes me feel more myself. The poems I write are often cathartic, a way to process life's experiences. They can also be a way to connect with others, with readers. And a way to observe the world around me and participate in some way by writing about what I've seen and felt.

4) How does my writing/working process work?
I tend to write when I feel moved or inspired, though I am trying to learn to be more disciplined. Usually a poem begins as just an idea. Either a metaphor, an image, or an experience that I'd like to write about. It churns around in my head for awhile. Maybe I'll jot down a line or just a tidbit. Sometimes it could be as short as a few hours of thinking about an idea before I draft a poem. Sometimes it could be months. But at some point I sit down with an old fashioned notebook and pen (often in a coffee shop or a park) and write the poem. After I draft it, I type it up and play around with line breaks and stanzas. I then usually take it to a few trusted writer friends for feedback before continuing to revise. Some poems go through very little revision, and others go through several drastic changes before I feel content with it as a finished product. The learning to be more disciplined part means I'm trying to carve out more space for inspiration and for drafting/revising. Time outdoors, time at a coffee shop, time at a museum, whatever it is. Getting out into the world helps me clear my mind of daily stress and make space for poetry. The more I can incorporate that space into my life, the more I find my poetry thrives.


And now, meet Kari... she's been my best friend since the age of 4, and even if I didn't know her personally, I would still love her artwork. One of my favorite aspects of visual art is texture, and Kari's paintings are rich with texture, both literally and figuratively.
Picture
Born and raised in the Chicagoland area, Kari Hall earned a BA in Visual Communications Design from Purdue University in West Lafayette, Indiana. It was there Kari was first introduced to encaustic painting and has kept her concentration on developing work in this medium. Her work has been shown in many galleries around the Chicago area such as the Zhou B Art Center, Fine Arts Building, Black Cloud Gallery, Union Street Gallery, and Morpho Gallery. Her art-making process is focused on a visual and emotional unfolding, personal memories and honest expression revealed through a landscape of color, light, texture, and dimension. She melts, carves, and transforms layers of wax to expose the depth of her life. Through it she is guided to a place, whether real or imagined, simple or complex. This process encourages a thought-provoking journey and allows her natural creative mind to spill open. When she isn’t in the studio painting, she is spending time with her husband, Drew, and Bloodhound puppy, Harvey.

Kari's website: http://karihall.com


Next week, I invite you to read the responses from the three beautiful women I have invited: Meridith De Avila Khan, a photographer/writer/artist I have had the pleasure of knowing since college; Kristin Luehr, a fellow Roosevelt University MFA alum; and Joan Hanna, a colleague from Rowan University who has generously agreed to help out with Glassworks Magazine. Meet them here!

Picture
Meridith De Avila Khan is a creative soul, wife, and mother; she has been a photographer for over eight years, including the past four years as the official photographer for Sweet Briar College. She owns & operates MDK Studio, a commercial photography studio. Previously, Meridith worked as the Director of Marketing at the Academy of Fine Arts in Lynchburg, and as an interim coordinator for the Tulipanes Latino Film Festival in Holland, Michigan. She has written human interest stories freelance for The Lakeshore Press, as well as Lynchburg Living and Clutch magazine. She is currently preparing essays for graduate school. Her fine art photography has exhibited regionally in juried and group shows. Meridith holds a Bachelor of Arts from Hope College, where she majored in creative writing and minored in studio art. While at Hope, she participated in the residential Phelps Scholars Program, an academic-intensive cultural learning experience. Conversations about what makes us human, even when they’re sometimes difficult, are one of the things that Meridith enjoys most.

                                           Meridith's Blog: http://meridithcreates.com

Picture
Kristin Luehr is a fiction writer and English teacher, although she sometimes thinks those must really be mutually exclusive careers, given the time commitments necessary. She currently lives in Nairobi, Kenya, where she teaches high school English at an international school. She received her MFA in creative writing from Roosevelt University and her BA in English from the University of Northwestern—St. Paul. The literary journal Dappled Things recently published her short story “Where Moth and Rust” and awarded her their J.F. Powers Prize. When she has time and something to say, she blogs about teaching, writing, living in Kenya, loving God, and anything else that seems important to her (like using “whom” correctly).

Kristin's Blog: http://wordslikenets.blogspot.com

Picture
Joan Hanna has published poetry, fiction, and nonfiction in several online and print publications as well as book reviews and interviews for various outlets. She is Assistant Managing Editor for River Teeth, A Journal of Nonfiction Narrative and Assistant Editor, Nonfiction/Poetry for r.kv.r.y. Quarterly Literary Journal. Her debut chapbook, Threads, (Finishing Line Press) was a finalist in the 2014 Next Generation Indie Book Awards. Hanna teaches teaches creative writing at Rowan University in New Jersey. She holds an MFA from Ashland University in Poetry and Creative Nonfiction.

Joan's Blog: http://WritingThroughQuicksand.blogspot.com.

1 Comment

Glassworks Magazine - Issue 8

5/23/2014

0 Comments

 
Picture
I'm very pleased to announce the publication of Issue 8 of Glassworks Magazine. Working with the student editors on this through Rowan University's Master of Arts in Writing program was a joy, and what a beautiful issue we've put together.

Visit our website here: http://rowanglassworks.org

and

View the full issue online here: http://issuu.com/glassworksmagazine

0 Comments

    Author

    BA in English
    MFA in Creative Writing
    ​
    Poetry chapbook Mid-Bloom (Finishing Line Press, 2021)

    Poetry chapbook Prague in Synthetics (Finishing Line Press, 2015)

    Senior Lecturer of Writing Arts at Rowan University

    Master of Arts in Writing Program Coordinator Rowan University

    Editor in Chief of Glassworks literary magazine


    Archives

    October 2022
    July 2021
    April 2021
    January 2021
    October 2020
    April 2020
    December 2015
    October 2015
    September 2015
    April 2015
    March 2015
    January 2015
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    February 2014
    January 2014
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    April 2013
    March 2013
    December 2012
    May 2012
    April 2010
    December 2009
    April 2009
    December 2008
    October 2008
    January 2007

    Tags

    All
    Anthology
    Art
    Articles
    Assignment
    Autumn
    Blog Hop
    Book Review
    Cancer
    Chapbook
    Colleagues
    Diversity
    Editor
    Education
    English
    Equality
    Family
    Fiction
    Finishing Line Press
    Grief
    Heather Lanier
    Human Condition
    Identity
    Interview
    Literary Magazine
    Literature
    Main Street Rag
    Mid Bloom
    Mid-Bloom
    Nonfiction
    Philadelphia
    Philadelphia Stories
    Poetry
    Prague
    Publishing
    Quote
    Reading
    Reblog
    River And South Review
    Rowan University
    Sestina
    Students
    Teaching
    Temenos
    University Publication
    Video
    Writing

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • Bio
    • Meet Katie
    • Photos
  • Writer
    • Curriculum Vitae
    • Teaching Philosophy
    • Poetry
    • News
    • Glassworks Magazine
  • Dancer
    • Dance Resume
    • Dance Photos/Videos
    • The Lady Hoofers
  • Survivor
    • My Diagnosis
    • Blog
  • Connect